{"id":877,"date":"2022-01-04T16:35:52","date_gmt":"2022-01-04T15:35:52","guid":{"rendered":"https:\/\/www.johannesborisborowski.de\/?page_id=877"},"modified":"2025-09-15T20:08:04","modified_gmt":"2025-09-15T18:08:04","slug":"works","status":"publish","type":"page","link":"https:\/\/www.johannesborisborowski.de\/en\/works\/","title":{"rendered":"Works"},"content":{"rendered":"\n

All works are published by Boosey & Hawkes Berlin<\/p>\n\n\n\n

Orchestra (with and without solo instruments)<\/a>
Ensemble (with and without solo instruments)<\/a>
Chamber music<\/a>
Solo works<\/a>
Vocal music<\/a>
Opera, Music theatre<\/a><\/p>\n\n\n\n

Orchestra (with and without solo instruments)<\/strong><\/mark><\/p>\n\n\n\n

Eternity<\/a><\/span><\/strong> for orchestra (2018\/19)
2.2.2.2-2.2.1.1-2perc-2harp-8.6.4.4.2
First performance: WDR Sinfonieorchester K\u00f6ln, Elena Schwarz, K\u00f6ln, Germany, October 5th, 2019
(15 min)<\/em><\/p>\n\n\n\n

Weinen, Klagen \u2026 <\/span><\/strong>for chamber orchestra (2018)
2.2.2.3-2.2.0.0-perc(2)-6.6.4.4.2
First performance: t.b.a.
(15 min)<\/em><\/p>\n\n\n\n

Stretta<\/a><\/span><\/strong> for piano and orchestra (2016)
2.2.2.3-4.2.2.1-timp.perc(3)-hp-pno.solo-10.8.6.6.3(6)
First performance: Daniel Barenboim, Staatskapelle Berlin, Zubin Mehta, Berlin, Germany, November 15th, 2017
(23 min)<\/em><\/p>\n\n\n\n

S\u00e9rac<\/a><\/span><\/strong> for orchestra (2014\/15)
4.4.4.4-8.4.4.1-timp.4perc-14.12.10.8.6
First performance: SWR Sinfonieorchester Baden-Baden und Freiburg, Peter E\u00f6tv\u00f6s, Donaueschingen, Germany, October 16th, 2015
(25 min)<\/em><\/p>\n\n\n\n

Piano Concerto<\/a><\/span><\/strong> (2010\/11, 2016)
3.3.3.3-4.3.3.1-perc(4)-pno.solo-8.8.6.6.4
First performance: Florent Boffard, WDR Sinfonieorchester K\u00f5ln, Manuel Nawri, K\u00f6ln, Germany, March 4th, 2017
(31 min)<\/em><\/p>\n\n\n\n

change <\/span><\/strong>for orchestra (2007\/08)
4.4.4.4-6.4.4.1-6perc.2hp.pno-16.14.12.10.8
First performance: Lucerne Festival Academy Orchestra, Pierre Boulez. Luzern, Switzerland, September 5th, 2008
(18 min)<\/em><\/p>\n\n\n\n

Ensemble (with and without solo instruments)<\/strong><\/mark><\/p>\n\n\n\n

Adieu<\/mark><\/strong> for ensemble (2022)
tr(+natural tr).tbn-vcl-2perc-e-git.pno
First performance: Ensemble Ascolta, January 14th, 2023, Bielefeld
(14 min)<\/em><\/p>\n\n\n\n

Innig<\/a><\/span><\/strong> for ensemble (2021)
corA.bcl.bn(+dbn)-hrn(+Wtba).tr(+flgn).tbn(+euph)-2perc-pno-2vln.vla.2vcl
First performance: Ensemble Modern, Lucie Leguay, Frankfurt, Germany, December 03rd, 2021
(15 min)<\/em><\/p>\n\n\n\n

Sphinxes<\/mark><\/strong> for five players (2020)
perc.-pno-vln.vla.vcl
First performance: Boulez Ensemble, Daniel Barenboim, stream, July, 2020
(8 min)<\/em><\/p>\n\n\n\n

Disparue<\/a><\/span><\/strong> for 6 players (2019)
fl(bfl).cl(bcl).pno.vln.vla.cl
First performance: modern art ensemble, Berlin, Germany, November 22nd, 2019
(10 min)<\/em><\/p>\n\n\n\n

Allein<\/a><\/span><\/strong> for ensemble (2018\/19)
2.2.2.2-2.1.1.euphonium-2perc-2.2.2.1
First performance: Ensemble Intercontemporain, Matthias Pintscher, Donaueschingen, Germany, October 20th, 2019
(17 min)<\/em><\/p>\n\n\n\n

Encor<\/a>e<\/span><\/strong> for ensemble (2016)
cl1.cl2.cl3-hrn1.hrn2-perc-vln1.vla1.vc1-vln2.vla2.vc2
First performance: Boulez Ensemble, Daniel Barenboim, Berlin, Germany May 06th, 2017
(18 min)<\/em><\/p>\n\n\n\n

Dex<\/span><\/strong> for ensemble (2015)
fl.cl.soprano-sax.-perc.hp.pno.-vln,vla.vc.db
First performance: Zafraan Ensemble, Titus Engel, Berlin, Germany, January 22nd, 2016
(11 min)<\/em><\/p>\n\n\n\n

Bassoon Concerto<\/span><\/strong> for bassoon and ensemble (2012\/13)
2.1.3.1-2.1.2.0-perc(2)-bn.solo-2.2.2.0
First performance: Pascal Gallois, Ensemble Intercontemporain, Bruno Mantovani, Paris, France, April 12th, 2014
(30 min)<\/em><\/p>\n\n\n\n

Chergui<\/a><\/span> <\/strong>for 7 instruments (2012)
fl.cl.-vib.hp.pno.-vln.vc
First performance: Ensemble Interface, Scott Voyles, Festival Ultraschall, Berlin, Germany, January 19th, 2013
(22 min)<\/em><\/p>\n\n\n\n

Wandlung<\/a><\/span><\/strong> for 6 instruments (2009\/rev. 2014)
fl.ob.cl-pno-vln.vla
First performance: Musicians of the CSO, Cliff Colnot, MusicNOW series, Chicago, USA, January 24th, 2010
(14 min)<\/em><\/p>\n\n\n\n

Mappe<\/a><\/span><\/strong> for ensemble (2008-10, 2017)
1.1.2.1-2.1.1.1-perc(3).hp.pno-2.2.2.1
First performance: Ensemble Intercontemporain, Susanna M\u00e4lkki, Paris, France, October 5th, 2010
(22 min)<\/em><\/p>\n\n\n\n

Dr\u00e4hte<\/span><\/strong> for ensemble (2003\/04)
fl(+bfl).ob.cl(+bcll).alto-sax(+bari-sax)-tpt.tbn-perc.pno-vln.vla.vc.db
First performance: Ensemble Mosaik, Enno Poppe, Berlin, Germany, July 13th, 2004
(17 min)<\/em><\/p>\n\n\n\n

Chamber music<\/strong><\/mark><\/p>\n\n\n\n

String Quartet No. 3 <\/mark><\/strong>(2022)
vln1.vln2.vla.vc
First performance: Minetti Quartett, University of Vienne, September 23rd, 2022
(14 min)<\/em><\/p>\n\n\n\n

Twin<\/mark><\/strong> for violin and piano (2020)
First performance: Duo Tocar, Zepernick, Germany, October 04th, 2020
(7 min)<\/em><\/p>\n\n\n\n

Pas des deux <\/span><\/strong>for saxophone and piano (2020)
First performance: Andrey Lakisov, Nadezda Tseluykina, Zepernick, Germany, August, 2020
(5 min)<\/em><\/p>\n\n\n\n

D\u00e9mystification<\/a><\/mark><\/strong> for 2 percussionists (2019)
2perc
First performance: DoubleBeats, Berlin, Germany, June 15th, 2019
(7 min)<\/em><\/p>\n\n\n\n

As if<\/a><\/span><\/strong> for clarinet, cello and piano (2017)
First performance: Trio Catch, Stuttgart, Germany, February 3rd, 2018
(11 min)<\/em><\/p>\n\n\n\n

String Quartet No. 2<\/a><\/span><\/strong> (2017)
vln1.vln2.vla.vc
First performance: Minguet Quartett, Stuttgart, Germany, June 17th, 2017
(11 min)<\/em><\/p>\n\n\n\n

String Quartet No. 1<\/span><\/strong> <\/a>(2015\/16)
vln1.vln2.vla.vc
First performance: Quatuor Diotima, Witten, Germany, April 22nd, 2016
(12 min)<\/em><\/p>\n\n\n\n

Piano Trio<\/a><\/span><\/strong> (2013)
vln.vc.pno
First performance: Trio Steuermann, Paris, France, November 24th, 2013
(15 min)<\/em><\/p>\n\n\n\n

Variation<\/span><\/strong> for piano four hands (2010)
First performance: Tamara Stefanovich, Pierre-Laurent Aimard and students, Klavierfestival Ruhr, Essen, Germany, July 12th, 2012
(5 min)<\/em><\/p>\n\n\n\n

Solo works<\/strong><\/mark><\/p>\n\n\n\n

Pekari-November<\/strong><\/a> for piano (2022)
First performance: Yoriko Ikeya, Berlin, Germany, June 13th, 2023
(8 min)<\/em><\/p>\n\n\n\n

Lied<\/a><\/strong> for accordeon (2020)
First performance: Teodoro Anzellotti, Witten, Germany, April 26th, 2020
(8 min)<\/em><\/p>\n\n\n\n

Up And Down<\/a><\/span><\/strong> for solo violin (2017
First performance: Michael Barenboim, Aldeburgh, Aldeburgh, UK, June 18th, 2018
(9 min)<\/em><\/p>\n\n\n\n

Miniaturen<\/a><\/span><\/strong> for piano (2015\/16)
First performance of excerpts: Nadezda Tseluykina, K\u00fcsten, Germany, April 09th, 2016
First entire performance: Nadezda Tseluykina, Berlin, Germany, February 13th 2018
(20 min)<\/em><\/p>\n\n\n\n

Vocal music<\/strong><\/mark><\/p>\n\n\n\n

Vier Lieder<\/mark><\/strong><\/mark><\/strong>, for female voice and ensemble (2025)
mezzo-sprano (or contralto), 2 fl, 2 kl, 1 tr, 1 pno, 1 vln, 1 vla, 1 cl
First performance: Cassandra Aynard Leonelli, Echo Ensemble, Manuel Nawri
Hochschule f\u00fcr Musik Hanns Eisler, Studiosaal, Berlin, Germany, January 30th, 2025
(11 min.)<\/em><\/p>\n\n\n\n

Wolken<\/a><\/mark><\/strong>,<\/mark><\/strong> songs for voice and piano (2023\/24)
(11min.)<\/em><\/p>\n\n\n\n

Ich, <\/mark><\/strong>3 kurze Liebesges\u00e4nge f\u00fcr 2 Frauen- und 2 M\u00e4nnerstimmen
s.m-s.t.bar.
(6 min)<\/em><\/p>\n\n\n\n

Songs after poems by Sara Teasdale<\/a><\/mark><\/strong><\/mark><\/strong><\/mark><\/strong>
for (female) voice and piano (2023-24)
(53 min)<\/em><\/p>\n\n\n\n

Lieder mit eigenen Worten<\/a><\/mark><\/strong><\/mark><\/strong><\/mark><\/strong>
for voice and piano (2022-)
(35 min)<\/em><\/p>\n\n\n\n

The Waves,<\/mark><\/strong> 9 songs for choir, after Virginia Woolf (2022\/23)
choir
First performance: tba, 2024, SWR Vokalensemble
(16 min)<\/em><\/p>\n\n\n\n

Dreh dich nicht um<\/a><\/mark><\/strong> for soprano and piano (2022)
s.pno
First performance: Mimi Doulton, soprano, Akiko Okabe-Dierstein piano, 2025
(10 min)<\/em><\/p>\n\n\n\n

Ach<\/a><\/mark><\/strong> for soprano and ensemble (2019\/20)
bfl.bcl.bn-pno-s-vln.vla.vc
First performance: Julia Spaeth, Ensemble Aventure, Freiburg, Germany, July 23rd, 2021
(12 min)<\/em><\/p>\n\n\n\n

Nobody<\/a><\/span><\/strong> for soprano, clarinet and piano (2017)
after texts by Emily Dickinson
s.cl.pno
First performance: Lisa Florentine Schmalz, Bogl\u00e1rka Pecze, Mariana Popova, Heidelberg, Germany, April 13th, 2022
(16 min)<\/em><\/p>\n\n\n\n

Fog<\/a><\/span><\/strong> for 6 singers, 2 pianos and string quartet (2013\/14)
Text: Maryna Vroda
pno1.pno2-s.s.ms.t.bar.b-vln1.vln2.vla.Vc
First performance: Neue Vocalsolisten Stuttgart, GrauSchumacher Piano Duo, Streichquartett des Ensemble L’instant donn\u00e9, Manuel Nawri, Stuttgart, Germany, February 7th 2015
(33 min)<\/em><\/p>\n\n\n\n

Opera, Music theatre<\/span><\/strong><\/p>\n\n\n\n

Stories.Ikarus<\/span><\/strong> (2019\/21)
Music theatre
2 Singer (M.Bar), 2 Actors (f.m)
fl(+picc.bfl).cl(+bcl).sax(a.t.bar)-perc-harpe.pno-vln.vla.vlc.db.-tape 
First performance: tba, Zafraan Ensemble
(75 min)<\/em><\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

All works are published by Boosey & Hawkes Berlin Orchestra (with and without solo instruments)Ensemble (with and without solo instruments)Chamber musicSolo worksVocal musicOpera, Music theatre Orchestra (with and without solo instruments) Eternity for orchestra (2018\/19)2.2.2.2-2.2.1.1-2perc-2harp-8.6.4.4.2First performance: WDR Sinfonieorchester K\u00f6ln, Elena Schwarz, K\u00f6ln, Germany, October 5th, 2019(15 min) Weinen, Klagen \u2026 for chamber orchestra (2018)2.2.2.3-2.2.0.0-perc(2)-6.6.4.4.2First performance: […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"default","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}}},"_links":{"self":[{"href":"https:\/\/www.johannesborisborowski.de\/en\/wp-json\/wp\/v2\/pages\/877"}],"collection":[{"href":"https:\/\/www.johannesborisborowski.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.johannesborisborowski.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.johannesborisborowski.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johannesborisborowski.de\/en\/wp-json\/wp\/v2\/comments?post=877"}],"version-history":[{"count":97,"href":"https:\/\/www.johannesborisborowski.de\/en\/wp-json\/wp\/v2\/pages\/877\/revisions"}],"predecessor-version":[{"id":1680,"href":"https:\/\/www.johannesborisborowski.de\/en\/wp-json\/wp\/v2\/pages\/877\/revisions\/1680"}],"wp:attachment":[{"href":"https:\/\/www.johannesborisborowski.de\/en\/wp-json\/wp\/v2\/media?parent=877"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}