{"id":1059,"date":"2022-01-04T22:52:03","date_gmt":"2022-01-04T21:52:03","guid":{"rendered":"https:\/\/www.johannesborisborowski.de\/?page_id=1059"},"modified":"2022-01-04T22:52:04","modified_gmt":"2022-01-04T21:52:04","slug":"miniaturen","status":"publish","type":"page","link":"https:\/\/www.johannesborisborowski.de\/en\/miniaturen\/","title":{"rendered":"Miniaturen"},"content":{"rendered":"\n

Miniaturen<\/strong> for piano (2015\/16)
(20 min)

Publisher<\/strong>
Boosey & Hawkes Berlin<\/a>

First performance
<\/strong>First performance of excerpts: Nadezda Tseluykina, K\u00fcsten, Germany, April 09th, 2016
First entire performance: Nadezda Tseluykina, Berlin, Germany, February 13th 2018

Texts<\/strong>
Composer\u00b4s Notes (2016)<\/em>
(translation: Howard Weiner)

The Miniatures for piano are a collection of little piano pieces of one to three minutes in duration and varying degrees of difficulty.
The individual miniatures are self-contained little pieces and can be presented as such in concert (for example, as encores).
But they also behave like episodes of a season\u00b4s series (analogous to television series). Depending on the cross relationships resulting from the combination and the concert context, new perspectives and chasms open up, new facets of that what is seemingly known suddenly show themselves. The pieces can be variously combined or integrated into concert programs and are suitable for developing different dramaturgies (storylines).
The Miniatures were created for and in collaboration with the pianist Nadezda Tseluykina.

The titles of the individual pieces imply contents and techniques to be used (in the manner of film techniques, among other things). However, the music is not reducible to this – much too often, one appears to be on a false trail, undreamt of worlds open up, or firm convictions are shaken.<\/p>\n","protected":false},"excerpt":{"rendered":"

Miniaturen for piano (2015\/16)(20 min) PublisherBoosey & Hawkes Berlin First performance First performance of excerpts: Nadezda Tseluykina, K\u00fcsten, Germany, April 09th, 2016First entire performance: Nadezda Tseluykina, Berlin, Germany, February 13th 2018 TextsComposer\u00b4s Notes (2016)(translation: Howard Weiner) The Miniatures for piano are a collection of little piano pieces of one to three minutes in duration and […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}}},"_links":{"self":[{"href":"https:\/\/www.johannesborisborowski.de\/en\/wp-json\/wp\/v2\/pages\/1059"}],"collection":[{"href":"https:\/\/www.johannesborisborowski.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.johannesborisborowski.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.johannesborisborowski.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johannesborisborowski.de\/en\/wp-json\/wp\/v2\/comments?post=1059"}],"version-history":[{"count":1,"href":"https:\/\/www.johannesborisborowski.de\/en\/wp-json\/wp\/v2\/pages\/1059\/revisions"}],"predecessor-version":[{"id":1060,"href":"https:\/\/www.johannesborisborowski.de\/en\/wp-json\/wp\/v2\/pages\/1059\/revisions\/1060"}],"wp:attachment":[{"href":"https:\/\/www.johannesborisborowski.de\/en\/wp-json\/wp\/v2\/media?parent=1059"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}